This weekend, the title of must-see cultural monolith belongs to the From Russia exhibition at the Royal Academy. After much political wrangling, artworks from the the leading galleries of Moscow and St Petersburg have finally been made available to a London audience. And, oh, how it’s been the worth wait. The Matisse’s are electric; the Kandinsky’s are challenging; but, for me, the unexpected highlight has to be the work of the Lithuanian artist Isaac Levitan – capturing, as it does, both the drudgery and beauty of everyday life. From Russia, as Adrian Searle puts it, is “Great, ghastly, revolutionary and hilarious” – just as all exhibitions should be.
The Spectator’s Deborah Ross has already reviewed the best film release of the weekend – Tim Burton’s Sweeney Todd. For myself, it’s Burton’s second greatest film (behind the 1994 effort, Ed Wood); saturated with the gothicism and dark humour which makes his work both redolent of the 1930s Universal horror films and also – somehow – thrillingly distinctive.
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