Sandy Balfour

Watching the human comedy unfold

issue 04 March 2006

I remember once swimming in the Batha river in central Chad. Despite recent rains the river was sluggish, warm and muddy, so much so that it was not immediately clear what was the point. I was uncertain of which way to go. I could not see my feet. I was covered in mud. And yet I emerged strangely relaxed. Easing your way into Cees Nooteboom’s remarkable new collection of travel pieces, you may have the same experience. Ignore, for the moment, the fact that you cannot see your feet and that you are not sure why it is interesting to read an account of a journey to Mali in 1971. Go with the flow and when you emerge you will feel enervated and strangely relaxed.

Somewhere deep in the bowels of Nomad’s Hotel Nooteboom gives the definitive account of what he is about.

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