Stephen Fry lies prone on an empty stage. A red ball rolls in from the wings and bashes him in the face. He stands up and introduces himself as Odysseus, stranded on an island-kingdom as he makes his way home after the Trojan War. The ball had escaped from the hands of a clumsy maidservant who was playing on the beach with a local princess. Now Fry, as Odysseus, begs her help and asks for a petticoat to cover his nakedness. This tale comes from Homer’s Odyssey, Book Six, but Fry doesn’t quote the reference he merely plunges on with the story. Odysseus shows up at the palace of the local warlord, King Alcinous, and tries to explain how he came to be wearing the princess’s undergarments. From here the scene moves to Troy and Fry tells the extraordinary tale of Paris — rejected by his parents but rescued by a kindly shepherd — who seduced Helen, wife of Menelaus, and brought the fractious states of Greece into a military alliance.
Lloyd Evans
Watching Stephen Fry was like being in the presence of a god
The best of Edinburgh Fringe this week included Einstein the comedian, a savage polemic, a funny doctor and Keith Moon's Faustian pact
issue 31 August 2019
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