Lloyd Evans Lloyd Evans

Watch three irascible women screaming at each other: Anthropology, at Hampstead Theatre, reviewed

Plus: yet another touching but unsuccessful new play about dementia

Lianne Harvey as Jane and Matthew Seager as Arthur in In Other Words at the Arcola Theatre. Image: Tom Dixon  
issue 16 September 2023

Anthropology is a drama about artificial intelligence that starts as an ultra-gloomy soap opera. A suicidal lesbian, Merril, speaks on the phone to her kid sister, Angie, and they discuss Merril’s beautiful ex-girlfriend. After ten minutes, we learn that Angie’s voice belongs to a robot, Digital Angie, created by Merril to replicate the real Angie who vanished a year earlier in unexplained circumstances. Then another surprise. Digital Angie becomes self-aware and turns into a detective who offers to help Merril investigate Angie’s disappearance and to find out if she’s still alive. Angie then turns into a third character who tries to interfere with Merril’s social life. This digital bully sends a text to Merril’s old girlfriend and starts to mess around with their broken romance. Then she drags Merril’s angry mother over and bombards her with flattering texts. The triple-layered plot feels arbitrary and muddled because the main character is just a microchip that can spring any surprise or plot twist without the slightest reference to human motives as she’s not a real person.

This play fails to explore its fascinating and timely subject matter

The word ‘contrived’ might have been coined for this over-complicated yarn.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in