Michael Hann

Watch kids go giddy in Niamey: Mdou Moctar live in Niger reviewed

Plus: modern psychedelia from Tame Impala that left you in no doubt why he ended up in arenas and the Horrors didn’t

Kids dance with giddy abandon at a live gig in Niamey, Niger, featuring hypnotic Tuareg guitarist Mdou Moctar, pictured far right 
issue 01 May 2021

The other week someone posted on Twitter a link to a YouTube clip titled ‘Family Lotus and D.J. Cookin’ at the Golden Inn, July 4 1981’. It showed a bunch of long-haired people on a makeshift stage in the New Mexico desert and a handful of people dancing around in the dust to the music, which was a weird, trippy, hyper-freaky form of electrified banjo music: ‘psychedelic bluegrass’, apparently. Watching the stream of the Tuareg guitarist Mdou Moctar was an unnervingly similar experience: he and his three-piece backing band were set up in the dust outside a friend’s house, watched by whoever came along. And Moctar’s guitar playing — blurrily deft repeating patterns — was deeply reminiscent of the banjo playing in the YouTube clip.

Moctar has spoken of how he knows little of the Anglophone rock tradition. But that hasn’t stopped him being compared to Eddie Van Halen and, inevitably, to Jimi Hendrix, and the adjective ‘psychedelic’ is frequently applied to his music.

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