Was Vera Brittain really this insufferable? Buxton Festival’s The Land of Might-Have-Been reviewed

‘Ring out your bells for me, ivory keys! Weave out your spell for me, orchestra please!’ It’s lush stuff, the music of Ivor Novello, and when the Buxton International Festival announced a new musical ‘built around’ his songs, the heart took flight. Novello is one of those fringe passions that are, one suspects, a lot less marginal than fashion might suggest. If his great hit operettas of the 1930s and 1940s – The Dancing Years, King’s Rhapsody and the rest – really are unrevivable (and the jury is still out on that), a sympathetic, newly constructed showcase for his finest material in the manner of the Gershwin reboot Crazy For You might be the next best thing.

The Land of Might-Have-Been is not that show. I’m still not sure exactly what it is, and possibly its creators, composer Iain Farrington, writer (and Festival CEO) Michael Williams and director Kimberley Sykes, haven’t quite worked it out either.