Lloyd Evans Lloyd Evans

War and plague have menaced theatres before, but rarely on this scale

Only one group of theatre-makers are likely to find the pestilence beneficial — writers

The show must go on: the 1943 première production of Terence Rattigan’s Flare Path at the Apollo Theatre, London, which ran for 18 months and 679 performances 
issue 28 March 2020

It seems a long time ago now. I was meeting the artistic director of a pub theatre near Westminster on the afternoon of 16 March. Already it was clear that this was one of the worst days of his professional life. That evening’s performance of a John Osborne play had been cancelled because a cast member had caught a severe cold over the weekend. During the morning, four more shows had withdrawn their productions, and the theatre had nothing to present for the next eight weeks. As we spoke, his phone pinged. Another cancellation. The door swung open and the production manager came in with a look of doom on his face. ‘Downing Street’s just announced — all theatres to close indefinitely.’ The artistic director turned to me. ‘Now I know how the Wall Street crash must have felt.’

This sudden and complete erasure of the acting profession is almost without precedent.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in