One of the most important jobs in The Spectator is opening up, and we’re looking for a pretty exceptional person to fill it. Peter Robins, our brilliant production editor (read about him here) is off to the New York Times. We’re looking for someone with skill, patience and a love of writing to take his place.
When Graham Greene was working at The Spectator, he said the magazine can be described rather simply: it’s the best-written weekly in the English language. As such, we’re one of the few titles to have increased what we invest in sub-editing over the years. The calibre of The Spectator can be seen in the attention we pay to small details.
The production editor (a full-timer who manages two part-time sub-editors) oversees this, and more. You will ensure the magazine goes off to press each week on time and error-free, with all its writers’ wit and style preserved and with compelling headlines and sells for both print and digital.
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