Andrew Lycett

Vive la libération!

The mix of jazz, pornography, politics and existentialism was especially potent when fuelled by alcohol and amphetamines

issue 24 March 2018

We all have our favourite period of Parisian history, be it the Revolution, the Belle Époque or the swinging 1960s (the cool French version, with Jean-Paul Belmondo and Françoise Hardy). Agnès Poirier, the author of this kaleidoscopic cultural history, certainly has hers: the turbulent 1940s, which saw the French capital endure the hardships of Nazi occupation before throwing off this yoke and embracing freedom in every aspect — sexual, political and intellectual.

Leading the way was that maligned couple, Jean-Paul Sartre, the philosopher, political activist and father of existentialism, and Simone de Beauvoir, the brilliant pioneer feminist, who was his life partner, if often errant lover. Poirier lists an impressive cast of over 30 figures who contributed to the Left Bank’s predominance in this entertaining and well-written story.

Most of them are French (including Sartre’s sparring partner Albert Camus). But there are also 13 Americans, such as the novelist Nelson Algren, who became Beauvoir’s grand amour, and the artist Ellsworth Kelly; plus a solitary Briton, the flighty Sonia Brownell, who had promoted resistant writing in Horizon magazine during the war and bedded Sartre’s lieutenant, the phenomenologist Maurice Merleau-Ponty.

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