Lloyd Evans Lloyd Evans

Visually world-class, dramatically second-rate: Don’t Destroy Me, at the Arcola, reviewed

Plus: at the Finborough a light-hearted and informative introduction to Canadian politics between 1979 and 2015

The confused snatches of amorous dialogue between Eddie Boyce's Sammy and Nell Williams's Suki are the best thing in this play. Credit: Phil Gammon  
issue 27 January 2024

Don’t Destroy Me is the rather breathless title of Michael Hastings’s first play which he wrote when he was just 18. The material draws on his adolescent years in a south London boarding house and the action opens with an elderly husband, Leo, and his unfaithful young wife, Shani, preparing for a visit from their handsome teenage son, Sammy. Leo knows that his marriage is being undermined by Shani’s affair with a cocky spiv who lives next door but this tawdry business fades into the background as the play starts to come alive.

The characters upstairs take over. The flat above is occupied by Mrs Pond, a pretentious fraud in her early forties who is desperate for romance and attention. She earns money by reading tea leaves and she claims to have a husband, Jack, and a white rabbit living with her. Neither have ever been seen, possibly because they don’t exist.

‘To save energy, we won’t be putting your name in lights.

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