Ariane Bankes

Virtual trip to the opera

Ariane Bankes on the appeal of live broadcasts on television and in the cinema

issue 04 April 2009

‘Having every best seat in the house’ is how some describe seeing opera live on screen, and recently we’ve had the opportunity of seeing the nuts and bolts backstage, too. It was a bold initiative of English National Opera and Sky Arts to take the cameras behind the scenes on the first night of Jonathan Miller’s new production of La bohème for Sky Arts 1, while simultaneously broadcasting the opera itself live on Sky Arts 2, and it was quite a challenge for the backstage crew: how do you keep your audience gripped for two and a half hours when all the real action is happening the other side of the set? Jonathan Miller himself was less than enthusiastic at the prospect: ‘It wasn’t my idea,’ he commented, somewhat testily, hoping quite understandably that the television audience wasn’t going to be continually switching over to check what was brewing behind the scenes.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in