William Cook

Vienna is a crossroads of the world again – but something’s missing

A city of dark doorways and guilty secrets, Vienna is beautiful, romantic, but never nice

The guilty man: Johann Strauss. Getty Images. 
issue 21 March 2015

People get the wrong idea about Vienna and I blame Johann Strauss. His plinky-plonky waltzes have become the soundtrack to the city, cementing Vienna’s public image as a place of balls and carriages and cream cakes. It’s an image the tourist board is keen to cultivate, and it makes good business sense. Tour groups visit the Spanish Riding School and the Vienna Boys’ Choir, eat a slice of Sachertorte and depart contented. It makes for a happy holiday, but Vienna is much more interesting than that.

Like a lot of stereotypes, Viennese clichés have some substance. Once upon a time, this was the mecca of modern music: Schubert was the local hero; Haydn, Mozart, Beethoven, Brahms and Wagner hung out here. Mahler was the director of the opera house, though he had to become a Catholic to get the job — Jewish conductors were verboten. This awkward detail reveals an uncomfortable truth about Vienna.

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