Rose George

Very much like a whale

Adam Skolnik tries to fathom what makes people risk their lives in this pitiless sport

issue 30 January 2016

In principle, freediving is simple and perilous: divers take one breath, then dive as deep as they can, with no tanks or air, and come back up again. Watch a video of this — or Luc Besson’s 1988 film The Big Blue — and you have to hold your own breath, because it is beautiful, streamlined, pitiless: a human in the most powerful and unnatural element for humans.

The beauty of freediving is that it does not look unnatural, but pure. What Adam Skolnick conveys in One Breath is how deceptive that is, and what a dreadful toll diving takes on the human body. He does this by telling the tale of one death, but also of the small freediving community that travels the world from one deep ocean hole to another to go as deep as possible, on one breath.

His hero is Nicholas Mevoli, a charming, handsome youngster from Florida who died in 2013 at Dean’s Blue Hole in the Bahamas.

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