In Beckett’s Happy Days a prattling Irish granny is buried waist-deep, and later neck-deep, in a refuse tip whose detritus inspires a rambling 90-minute monologue. ‘An avalanche of tosh’ was the Daily Mail’s succinct summary. Wings is similar but worse. Mrs Stilson (Juliet Stevenson), an American pensioner sheathed in white, hovers over the stage on ropes and talks non-stop gibberish. ‘Three times happened maybe globbidged, rubbidged uff to nothing there try again window up!’ Thus begins her battle with intelligibility. ‘And vinkled I,’ she goes on, ‘commenshed to uh-oh where’s it gone to somewhere flubbished what?’
The cause of her aphasia is unclear but vague images of scudding clouds and snorting biplanes suggest an air crash. She continues to speak nonsense while dangling in midair like a streak of saliva from the lips of a ruminating Friesian. ‘Hapst aporkchop fleetish yes,’ she tells us. Some doctors appear. ‘Are there seven days in a week?’ An interminable pause.
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