Roderick Conway-Morris

Venice Biennale: from unusual sexual obsessions to a primary school Open Day

<em>Roderick Conway Morris</em> finds a mix of the weird and the wonderful at the 55th Venice Biennale

issue 08 June 2013

William Empson believed that ‘the arts are produced by overcrowding’. But, as 20,000 invited guests and 4,500 accredited journalists surged through the pavilions of the Giardini and Arsenale on the 55th Venice Biennale’s preview days last week, it was more a case of overcrowding being produced by the arts.

Over the past 20 years the Biennale has inexorably expanded with every edition. In 1993, 53 countries were represented. This year there are 88, with Angola, the Bahamas, Bahrain, the Ivory Coast, Kosovo, Kuwait, the Maldives, Paraguay, Tuvalu and the Vatican officially appearing for the first time. There are nearly 50 official collateral events and scores of other exhibitions around town.

Massimiliano Gioni, at 39 the event’s youngest ever artistic director, has more than doubled the number of artists his predecessor showed two years ago in the Central Pavilion in the Giardini, or Castello Gardens, and the Corderie, or Rope Walk, at the Arsenale.

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