Vanity Fair updated: Becky, by Sarah May, reviewed

Insofar as every reading of a book is a retelling of it, a writer needs a very good reason for doing a ‘contemporary retelling’ of a classic. In giving Becky Sharp the fleshed-out backstory denied her in Vanity Fair, Sarah May more than meets that requirement, though her novel still suffers by its proximity to Thackeray’s original.

That shadow is particularly occluding in Becky’s early chapters, when the reader’s instinct is to look for what they know, not what is new. To speak only of the unmissable differences, then, May’s Becky is a Gen Xer, not a Georgian, an aspiring journalist, not a socialite, and her story is told in the first person, not the third, a choice that puts her at the centre of the narrative in a way she never is in Vanity Fair.

Most popular

Ross Clark

Britain is living beyond its means

This narrative begins, familiarly, in the office of Miss Pinkerton, here the head of a nanny agency rather than a school.