Mark Cocker

Mother nature is finally getting the art she deserves

Modern art has barely registered the natural world. Three excellent new exhibitions on fungi, trees and bugs are attempting to remedy this

issue 14 March 2020

I guess that few would currently dispute that the world is in crisis. I’m not talking about Covid-19. Nor am I primarily addressing the issues arising from the 36 billion tonnes of carbon that the human project sends into our atmosphere every year. Climate chaos is a part of the issue, but I’m thinking principally of those things that most impact upon the biosphere as an ongoing live enterprise.

They include the additional billion humans that our planet acquires every 12 years; the four-fifths of fish populations harvested to or beyond sustainable levels; the half of all the world’s trees felled by our species; the catastrophic depletion of soils by industrialised chemical farming, and the Sixth Mass Extinction which looms in an age increasingly defined as the Anthropocene.

Is it not strange, then, that these momentous matters barely register in the realms of modern art? Scan the works of the preeminent 20th-century figures — Kahlo, Picasso, Warhol, say — and you will find precious little that even celebrates the vast otherness of the natural world.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in