Karl Ove Knausgaard’s My Struggle sequence is one of this century’s great projects: an intimate epic in which the overriding obsessions of our times — identity, gender, the meaning of truth — play out through six maddeningly detailed, curiously compelling autofictions. It’s the kind of work that casts a long shadow; any fiction that follows, the author knows, is in communion, and competition, with that momentous work. Which is why The Morning Star, Knausgaard’s return to the novel after an almost decade-long break, is both fascinating and frustrating.
With its biblical allusion title and occult MacGuffin (a new star has mysteriously appeared in the night sky over Norway), the book suggests Knausgaard has returned to his interest in divinity, one he explored in his second novel, A Time to Every Purpose Under Heaven. A couple of pages in, however, and it’s clear we are back squarely in the rhythms of domestic life that dominated My Struggle.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in