Lloyd Evans Lloyd Evans

Unenchanted evening

The Enchantment; Absurdia; In the Club

issue 11 August 2007

When the public ignores a playwright, it’s not because the public is wrong but because the playwright deserves to be ignored. Director Paul Miller and translator Clare Bayley have ‘rediscovered’ an obscure Swedish novelist, Victoria Benedictsson, who wrote one play (and it shows) and then stabbed herself in the throat. Set in Paris, The Enchantment is a feeble and self-

conscious replica of Hedda Gabler. The characters are supremely unattractive. Niamh Cusack’s Erna is a spiky shrew, Nancy Carroll’s Louise is a squashed rose petal, Hugh Skinner’s Viggo is a beaming jerk and Zubin Varla’s Gustave is a narcissistic stud bristling with clichés from the rotter’s handbook. Varla has been beamed into the wrong play. His thick black hair and beard are trimmed to the same length all over his head, which gives him the look of an over-earnest philosophy student magnetised to attract iron filings.

But he’s playing a rampant sex athlete who’s got every heiress in Paris sighing at her casement and listening for the tick of his cane on the cobblestones.

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