Sara Maitland

Two halves don’t make a whole

issue 18 September 2004

What on earth is a ‘high concept novel’? For the expression to have any meaning you’d have to have a low concept novel, a medium concept novel and even a no concept novel. How high? Compared to? It doesn’t make sense.

Nonetheless this is one. (In fairness to Fay Weldon she does not say so; the blurb writer does.) From the evidence I can only deduce that ‘high concept’ means ‘bit of a mish-mash’. Mantrapped is half of a novel and half of an autobiography plus author’s commentary on writing the (half) novel. The idea is that in our celebrity culture there can no longer be a ‘hidden’ author. Publicity, profiles, photographs, reviewers’ personal speculations and gossip all do their bit to ferret out the author’s ‘real’ self — so in all honesty the author herself needs to come clean and tell all.

In one sense it is true of course.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in