Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes you’re ever likely to see. A teacher on a school trip is showing her pupils a Turner painting displayed in a gallery housed inside a ship donated by the producers of a film starring a famous actress, Lou, who happens to be on board wearing a sumptuous outfit for an awards ceremony, which she plans to avoid for fear that a coveted prize will be handed to a rival. Lou invites the school teacher to an after party that is scheduled to start when the awards ceremony ends. She then gets distracted by the sight of movement on the surface of the Turner canvas. The painted figures, frets Lou, appear to be shifting and jerking. Then she reveals that this is the very picture that drove John Ruskin mad. The scene ends with Lou wondering if she too is going crazy.
Lloyd Evans
Tsunami of piffle: Rockets and Blue Lights at the Dorfman Theatre reviewed
Plus: Don’t Send Flowers at the White Bear Theatre needs a star to save it from oblivion
issue 11 September 2021
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