Truth, Lies, Diana
Charing Cross Theatre, in rep until 14 February
John Conway’s sensationalist play, Truth, Lies, Diana, is a forensic re-examination of the circumstances surrounding the princess’s death in 1997.
The issue of Prince Harry’s paternity, which earned the play much advance publicity, reaches no conclusions. James Hewitt co-operated with the show and Conway portrays him as a decent twerp ruthlessly smeared by shadowy puppet-masters (‘men in suits,’ Conway calls them), who set out to destroy his credibility. Hewitt admits that his trysts with Diana began at least a year before Harry’s birth. But is the Cad the dad? Hewitt’s keeping mum.
Conway’s research into the crash revives various antique rumours: Diana was pregnant; the accident was staged; she survived the impact but was murdered in the ambulance. But he casts plausible doubt on the alleged drunkenness of the driver, Henri Paul.
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