Jason Burke

Truly magnificent: the splendour of Suleiman I

Even the greatest European powers paled by comparison with the Ottoman sultan and his court, says Christopher de Bellaigue

Portrait of Suleiman by the court miniature painter Sinan Bey. Credit: Getty Images 
issue 26 February 2022

In this luminous, erudite book, Christopher de Bellaigue tells the story of the early years of Suleiman the Magnificent, the best known and most powerful of the Ottoman sultans.It is far from a standard narrative history. Drawing on sources in English, French, Italian and German, de Bellaigue has written a gripping account that evokes an epic poem, saga or ‘book of kings’ rather than a familiar biographical plod. It is as ‘immersive’ as the blurb claims, conjuring the world of the eastern Mediterranean, Anatolia and south-eastern Europe in the early 16th century with the limpid clarity of the many gems that stud its pages. The maps alone are worth the price of entry.

De Bellaigue has done this in a variety of ways, all audacious, all largely successful. The first is the use of an enormous amount of detail, meticulously culled from eyewitness accounts and utterly believable. Early on we learn that there is no bed in the sultan’s chamber, but that in a corner there are three mattresses of crimson velvet, two filled with cotton and one with feathers, with two covers of crimson taffeta, and three similar pillows, from which hang a slip of green silk with a gold button attached.

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