Triple time

The Guildhall School of Music and Drama is outdoing itself in putting on a triple bill of little-known operas, two by Massenet and one by Martinu. What is still more remarkable is that GSMD has put them all on before, though I think in different productions. This time round the designer Yannis Thavoris has produced a set of which the main ingredient, a heap of miscellaneous broken or discarded objects, remains throughout the evening, while other props are introduced that are sufficiently striking to create a quite different mood as the curtain rises on the three little operas.

The first, Massenet’s La Navarraise, goes so against everything we associate with the composer that it must have been written partly in order to demonstrate how wide his range was. Not that he hadn’t already demonstrated that pastel-shaded love stories with a harrowing conclusion after a couple of hours of build-up were not the only thing he could pull off, but none of the very wide range of other varieties of subject-matter seems to have kept his creative attention, with the exception perhaps of Thais, the ultimate sex-and-God concoction, and given the material most of that is pretty tame stuff.