With Alpine wreckage still being sifted, this is either a very good or a very bad time to write about the mystery and beauty of aviation. I am a nervous flyer, always imagining the worst will happen, so when I hear that ‘the captain has turned off the seat-belt sign’ I feel a jolt of relief. Even more so when, halfway through the trip, the captain himself speaks to the passengers in a voice whose mellifluous calculation is as precise as the in-flight computers. You would always want the voice of the pilot to be Mark Vanhoenacker’s.
He is an unusual hybrid: a BA 747 pilot and, now, an author of real distinction with a genuinely poetic sensibility as well as a memorable turn of phrase. Although flight is the greatest modern adventure, it has been poorly served by literature. Writers, evidently, prefer grubby divorces in the suburbs to the majesty of aviation as a context for a discussion of human folly and ingenuity.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in