Rufus Norris, the National Theatre’s artistic director, has revealed that all those tedious ancient plays will from now on be updated with a ‘modern twist’ to ‘bring in a fresh audience’. By way of example, he assures us that the forthcoming reworking of Sophocles’s Philoctetes (409 bc) will still be ‘a very valid Greek play’. Valid? What does he mean by that?
The original was pretty ‘valid’, with its chorus and three masked male actors playing all the parts, speaking and singing in complex metrical forms in high linguistic register; and it was a serious, elevated medium, inhabited by high-status characters. Most tragedies were drawn from myth. That too was surprisingly ‘valid’ for its time, but sadly lacking in modern concerns — feminism, gender, identity, rights, phobias, taking offence, victimhood, equality, globalism and diversity — though rather too up-to-date in its exploration of dysfunctional families.
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