We move through silent streets walled by shuttered houses and closed stores. I know that the French leave en masse in August, but in Cognac the ritual seems also to extend to wintertime. Even the landscape seems somnambulant. Skeletal vines whose cordons point crabbed fingers towards where the sun should be line the roadsides. Yet there is life. Something is stirring in the region’s black, mould-covered, thick-walled chais.
At the bottom of a set of worn stone steps in Remy-Martin’s Domaine de Grollet is a collection of large and clearly ancient casks. It is here where the blend of Cognacs which comprise the house’s iconic prestige blend Louis XIII spends the final four years of its life. A sample is drawn, glasses are filled.
As it wets the lips, so it triggers a rush of images in the mind which go beyond simply ‘tasting’ and into a realm where the liquid seems to be a living entity.
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