Diana Hendry

Three men on a pilgrimage: Haven, by Emma Donoghue, reviewed

A 7th-century holy man and his two acolytes endure hellish conditions while building the monastery of Skellig Michael

Skellig Michael. [Getty Images] 
issue 13 August 2022

I used to envy Catholic novelists – Graham Greene, Muriel Spark, François Mauriac – as having that extra point of view, namely eternity. The Irish-Canadian novelist Emma Donoghue doesn’t entirely qualify as a Catholic writer, even though she’s on record as saying she’s currently obsessed with Catholic theology, specifically Purgatory, but there’s a thread of Catholicism (particularly the Irish variety) in many of her books. Also, it has to be said that she’s frightfully good at suffering and endurance. I thought this when reading her 2020 novel The Pull of the Stars, set in the 1918 flu epidemic, and Haven is no exception.

This must surely be her most Catholic novel. Set in the 7th century, a holy man called Artt has a dream vision directing him to ‘withdraw from the world, set out on a pilgrimage with two companions’, find an island and found a monastic retreat. He picks two monks – one old, Cormac, a storyteller, and one young, Trian, a musician – and off they sail.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in