Angela Carter was a seminal, a watershed novelist: perhaps one of the last generation of novelists to change both the art she practised and the world. Reading this splendid biography, it is hard to avoid the false conclusion that she always knew exactly what she was doing. Her life, in its swerves and unexpected corners, always turns out to be contributing to her work; how clever of her, one starts to think, to get a job on a local news-paper, to go to Japan, to have an array of dotty, oppressive or plain witchy aunts, mother and grandmother…. Of course it was not like that. Carter’s life seems rich and inevitable in the retelling because she made use of almost everything. There was not much that she wouldn’t look at with interest.
Her family background was half south London and half Yorkshire, both of which she revelled in. The wrong side of the Thames provided reckless living, making do and letting rip; Yorkshire provided a relish of feminine plain-speaking moving imperceptibly into witchcraft.
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