If Kafka had never existed, critics might now be using the word Warneresque, instead of Kafkaesque, to describe the sort of fiction represented by the three remarkable early novels for which Rex Warner is now chiefly remembered. But then, if Kafka had never existed, perhaps The Wild Goose Chase, The Professor and The Aerodrome would never have existed either. In the way of writers who owe a conspicuous debt to a predecessor, Warner always downplayed his debt to Kafka. But his reading of The Castle in Willa and Edwin Muir’s translation of 1930 was clearly one of the decisive events of his life.
Another decisive event was his despatch by the British Council to Athens to open an institute in the immediate aftermath of the war. Tabachnick remarks, ‘Rex’s job was something of a sinecure.’ But that was because Warner made it into one. It was certainly not a sinecure for his hard-working successors.
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