Interconnect

This mortal coil

Among the most famous of all living poets, Nobel Laureate, highly educated, revered for his lectures and ideas as well as for his poetry, Seamus Heaney has a daunting reputation.

issue 18 September 2010

Among the most famous of all living poets, Nobel Laureate, highly educated, revered for his lectures and ideas as well as for his poetry, Seamus Heaney has a daunting reputation. He remains, however, enjoyed by a broad spectrum of readers, accessible, song-like, direct, concerned with everyday details and human relationships. Essentially, Heaney’s poetry strikes to the heart through its central metaphor — the very mechanics of being human.

Human Chain, his latest collection, makes this familiar territory absolutely explicit, right from the title. Not only does the image of a ‘chain’ of being human concern itself with family loyalties, connections and inheritances, but it also represents the physical labour of sharing a heavy load, completing a painful task, moving the weight of each other down the line, from a child lifting his face to see a kite break free of its string, to the awkward lifts, hoists and straps used for the injured and the elderly, to the image of the title poem where a line of aid workers and soldiers swinging sacks of grain triggers the poet’s empathy as a physical sensation in his back and hands, marking out at once the limitations of the human frame and the spiritual connection that can move beyond those limits.

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