Martin Gayford

This is England

Perry comes of age in Provincial Punk, a retrospective at the Turner Contemporary that confirms his place in the English oddball tradition

issue 30 May 2015

At the Turner Prize dinner of 2003, as the winner, Grayson Perry, took a photo call with his family wearing a girlish dress and huge bow in his hair, a German contemporary artist who was sitting at the same table leant over and hissed in my ear, ‘Only in England!’ He got it right in more than one way.

As time goes on it becomes ever more apparent that — in his combination of grittiness, eloquence and wackiness — Perry is very much in the national grain. He even manages to look like a sort of Identikit British archetype, resembling, in different images he presents of himself, Margaret Thatcher, Alice in Wonderland and Richard III.

No doubt, at some point in the future there will be a grand-scale overview of Perry’s work at the Tate or RA. But in the meantime, Provincial Punk, a medium-sized retrospective at Turner Contemporary, Margate, gives an opportunity to assess where he has arrived right now.

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