Geoff Dyer

This is cinema as car ad, says Geoff Dyer: News of the World reviewed

With soaring drone shots, Paul Greengrass wants us to see too much in his new western. It’s not just nudity or violence that’s gratuitous

How the west was lost: Johanna Leonberger (Helena Zengel) and Captain Kyle Kidd (Tom Hanks) in News of the World. Credit: Bruce W. Talamon/Universal Pictures/Netflix 
issue 13 February 2021

It’s a premise with plenty of previous. Children whose parents were murdered by Indians on the frontier of the American west are abducted and then adopted by the tribe. Their plight is appalling — female captives were raped as a matter of course — but sometimes the hostages forget their mother tongue and come to relish the nomadic life of the plains. Another round of trauma follows when the adopted guardians are in turn massacred and the orphans are returned to the alien captivity of civilisation. The famous abduction of Cynthia Ann Parker by Comanches in 1836 and the prolonged attempts to find her — followed by her attempts to escape from her rescuers — served as source material for John Ford’s The Searchers.

The latest iteration of this story, News of the World, is set in Texas in 1870 where Jefferson Kyle Kidd (Tom Hanks), formerly a captain with the Confederates, works as an itinerant news reader.

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