Lloyd Evans Lloyd Evans

This interactive Doctor Who show is as bombastic, fey and tedious as the TV series

Plus: a flawed but interesting play at Hampstead Theatre that would have benefitted from at least an hour of waffle being cut from the script

Molly Walker as a Time Lord Guide in a new interactive Doctor Who show that is just as bombastic, fey and tedious as the TV series. Credit: Mark Senior 
issue 26 June 2021

Death of a Black Man is a little-known script from the 1970s written by Alfred Fagon who suffered a fatal heart attack in 1986, aged 49. It’s an intriguing but sloppily written play set in 1973 about a pair of black London teenagers who are hustling for cash in the music business and the furniture trade.

Shakie has lucked his way into a Chelsea flat where he makes money flogging African chairs to gullible Americans. His best friend, Stumpie, needs a loan to bring a band of African drummers to the UK. Meanwhile Shakie’s ex-girlfriend, Jackie, has returned from Jamaica to sponge off him and enjoy the high life. Scriptwriting blunders abound. Fagon uses soliloquys to reveal motivation. ‘I wonder who owns this flat,’ says Jackie to herself. When Stumpie arrives, he enters through an unlocked front door. (No one leaves their front door unlocked.) Characters reminisce about the past in order to spoon-feed information to the audience.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in