The One Day In the Year is an Australian drama about the annual commemoration of the Gallipoli campaign in 1915. It was written in 1958 but it could have been dashed off last week. What makes it thrillingly topical is that the personality of Churchill and the truth about Britain’s colonial past are central to the story.
The main character, Alf, is a veteran of the second world war who works as a lift operator. He detests the new Australia and he calls the younger generation a ‘stink lot of imitation Yanks’. For him, Churchill is the greatest Englishman in history. But his rebellious son, Hughie, describes Britain’s wartime prime minister as ‘a big bloated bloodsucker’. Though he once respected his father’s military service, Hughie now resents Anzac Day and the ritual booze-up afterwards. ‘Dad looks such a smart alec walking along like he won the war single-handed.’ He plans to publish an attack on Australian patriotism in a student newspaper but when his mother discovers this scheme she threatens to evict him.
This fabulous script has all the simplicity, naturalism and truth of a Chekhov classic
Everything is set up for a battle royal between father and son. Both believe they’re right. Hughie claims that Gallipoli was a plot by the British to send Australians to their deaths. His dad, uneducated but intelligent, points out that celebrating a defeat is the mark of a country with a noble and elevated character. As he puts it, ‘A man’s not so bad when he’ll stand up in the street and remember when he was licked.’ Other tensions simmer in the background. Hughie’s wealthy girlfriend is attracted by the family’s lack of pretention. ‘I’m sick of stuck-up young men talking about their Jags.’ But Hughie suspects that she finds his humble origins erotically stimulating.

Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in