William Cook

This crisis could be the catalyst for a golden age of British theatre

It has a chance to break free from the traditional structures that have held it back for years

Neither capitalist nor socialist, but truly anarchic: the Kunsthaus Tacheles, East Berlin, in the 1990s, the best performance space William Cook ever came across. XAMAX / ullstein bild / Getty Images 
issue 13 June 2020

The arts are in a state of crisis. How often have you heard that before? Well, this time around it happens to be true. In the age of coronavirus, it’s clear that the old way of doing things won’t work any more. Theatres, in particular, have been quick to grasp the bleeding obvious: cramming lots of people into crowded spaces has suddenly become extremely difficult. How do you fill a theatre in an era of social distancing? Short answer: you can’t.

The response from theatre practitioners has been fairly predictable. What the theatre needs, they tell us, is more public cash. West End producer Sonia Friedman says that 70 per cent of performing arts companies will close by Christmas if there is no government rescue package, reports the Telegraph. ‘Playwright James Graham has issued a stark warning about the future of the theatre industry, saying it will not survive the coronavirus crisis without an “aggressive government bailout”,’ says the Independent.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in