The Peninsula is a new hotel at Hyde Park Corner. It is part of the trend for absurd expense: rooms start at £1,400 a night and express the kind of preening mono-chrome blandness that will be the London of the future. It is a building of great ugliness – I would type the names of planners who allowed it, but on these pages it is incitement to violence. It sits on its six-lane round-about between the Lanesborough hotel and a long peeling red-brick late Victorian terrace that once appeared in a Stephen Poliakoff film about how things always fall apart.
It isn’t really a hotel, I think, staring: it doesn’t have that much identity. It’s an airport lounge, or a cruise ship, or just a mad woman: something that has no tangible connection to its reality, so owes nothing to it.
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