In the preface to his great collection of essays The Dyer’s Hand, W.H. Auden claimed: ‘I prefer a critic’s notebooks to his treatises.’ Auden’s criticism is like that: a passage of insights instead of a single sustained argument, and the same is true of Samuel Johnson, whose works are a pleasure to read for the feeling of the pressure of a great mind at play. Clive James belongs in this company.
His new book Latest Readings is a kind of reading diary: a collection of short essays, each prompted by one book or a handful he happens to be reading. They are not in any logical order or sequence, but are given unity by two things: one biographical, the other stylistic. James is — as has been widely publicised over the past two years — now dying, of leukaemia and emphysema, and while he only briefly mentions it here, this whole book is marked by a sense of medical struggle and imminent extinction.

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