The hypochondriac is the butt of jokes. Even his butt is the butt of jokes. A story doing the rounds in the 16th and 17th centuries concerned a Parisian glassmaker who, believing himself to be also made of glass, fastened a cushion to his buttocks in case they broke when he sat down. His anxiety was mocked by a character in a play called Lingua, Or the Combat of the Tongue: ‘I am a Urinal, I dare not stirre,/ For fear of cracking in the Bottome.’
The aim of A Body Made of Glass is to take hypochondria, or ‘illness anxiety disorder’, seriously. But in a moment of levity, Caroline Crampton compares laughing about hypochondria to laughing about farts being made visible ‘like soap bubbles in the air’. The laughter is the same, she says, because society demands that both our personal wind and what Robert Burton in The Anatomy of Melancholy called the ‘splenetic hypochondriacal wind’, should be hidden away.
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