Although I can understand why Dana Gillespie might choose to call her memoir after her most famous album, for the first 170 pages I remained convinced she should have taken a leaf from John Cleland and called it Memoirs of a Woman of Pleasure. For hers has been an extraordinary life (or perhaps half life, as the trail of hi-jinks runs its course by the end of the 1970s). And so, despite reading at times like a cross between Terry Southern’s Candy and Confessions of a Window Cleaner’s screenplay — but with A-listers the ones shaking their sticks — as an evocation of the 1960s SW7-style, Weren’t Born a Man rings wholly true.
By 13, having already lost her virginity, Dana was occupying a self-contained basement flat in South Kensington beneath a four-storey house in which both parents lived with their replacement spouses. It was an era when child care services were rarely called to places such as Thurloe Square.
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