Jonathan Sumption

There was nothing remotely pleasant about a peasant’s existence

Focusing on Ireland and his own peasant heritage, Patrick Joyce laments the passing of a distinctive way of life. But the world his parents left behind was truly horrible

Women carrying loads of dried grasses at the entrance to a village, by Jean-François Millet, 1850. [Bridgeman Images] 
issue 24 February 2024

If we are to remember peasants, we need a definition. Here is an imperfect but workable one. A peasant is a person working on the land in return for a bare subsistence. Patrick Joyce’s peasants are smallholders making just enough to feed their families and pay the rent in a normal year. They are people without status, tied to the land even if they are legally free. They occupy the lowest place in society, people with no ambitions and no future, who come into the light of history only when they revolt against their condition, as they frequently do. Historically, there have been peasants who did not fit this mould. There were rich peasants, like the well-fed revellers in a Brueghel painting. But Joyce’s image is a harsher one: the exhausted, calloused men and prematurely aged women painted two centuries later by Jean-François Millet.

From the earliest agricultural settlements, some 8,000 years ago, most of mankind have been peasants.

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