Aping Isis, trans activists have defaced a historical monument to make a political point. They blacked-up — seriously, with spray paint and afro wigs — the Christopher Street Gay Liberation statue in New York, which commemorates the 1969 Stonewall riots and the birth of the modern gay-rights movement. Their beef? That the monument and a new movie about Stonewall don’t give enough credit to the black and Latino trans women who apparently were among the first to hurl bottles at homophobic cops on that fateful night.
Let’s leave to one side the ugliness of sticking a comedy afro on a statue to make it appear black — a PC version of the black-and-white minstrels show. More worrying is that this infantile gesture, and the bonkers debate about the accuracy or otherwise of the Stonewall film, suggests the infernal politics of identity is now being projected back in time. Not content with colonising Twitter and infecting academia with this bunkum, the identity-obsessives now want to rewrite history according to their nasty, narrow worldview.Hilariously, the moaners about the Stonewall movie, directed by Roland Emmerich, haven’t seen it yet: it’s released next month.
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