Andrew Lambirth

There are too few masterpieces in Masterpieces: Art and East Anglia

You'll find Bacon, Lowry and a few superb artefacts, but mostly this jumble of a show is like visiting a large country house that's fallen on hard times

‘Storm on Yarmouth Beach’, 1831, by Cotman [Getty Images/Shutterstock/Alamy/iStock] 
issue 04 January 2014

The mood is celebratory in East Anglia: the University (UEA) marks 50 years since it opened its doors in Norwich, and the Sainsbury Centre, its visual arts flagship, is back in business after refurbishment by Foster & Partners. The first public building designed by Norman Foster, it opened originally in 1978, a huge glass and steel hangar to house the Robert and Lisa Sainsbury Collection, given to the University five years earlier. This impressive collection is wide-ranging, including a substantial group of early Francis Bacon paintings, an important collection of Hans Coper ceramics, and excellent things by Moore, Giacometti, Picasso and Epstein, as well as quantities of other artefacts, ancient and modern. There is also a temporary exhibition space, and the reopening show is called Masterpieces: Art and East Anglia (until 24 February), which takes upon itself the task of telling the story of art in the area through a selection of top-quality works.

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