Lloyd Evans Lloyd Evans

When theatres reopen they’ll resemble prison camps

Lloyd Evans fears for the future of theatre in this age of paranoia and over-regulation

Andrew Lloyd Webber giving a tour of the London Palladium before the first pilot show after lockdown with Beverley Knight. Image: © Rii Schroer / eyevine 
issue 01 August 2020

‘Give us a date, mate!’ That was the sound of Andrew Lloyd Webber begging Boris Johnson to announce when the West End can return to normal.

He made his plea at the London Palladium on 23 July, where he was testing a new set of Covid-compliant measures during a one-hour solo show by Beverley Knight. It was the first indoor live performance in the capital since lockdown began. The impresario’s advance preparations had been exhaustively thorough. He arranged for the entire venue to be hosed down with an anti-viral fluid that kills the bug for up to four weeks. Every door handle had been fitted with a special cover that exterminates bacteria with silver ions. The audience were given staggered arrival times and they used a one-way system as they moved around the theatre.

The whole of Row A had been stripped out to ensure that the audience was at least five metres from the stage.

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