Lloyd Evans Lloyd Evans

Theatre review: Below par Mamet is still more fun than a personal-best performance from a second-rater

issue 08 June 2013

Mamet is back. His 2009 play Race is an offbeat courtroom drama set entirely in a lawyers’ office before the trial begins. Jack and Henry are two hotshot attorneys, one white, one black, who must decide whether to accept the case of a prosperous banker, Charles, accused of raping a black woman in a hotel. Jack and Henry have a young black trainee, Susan, whose ethnicity and gender may help them sway the jury.

The case against Charles turns on sequins. The victim swears that her dress was torn off during the attack but a hotel cleaner found no sequins on the floor. Sequinned attire is naturally deciduous, or, as Jack puts it, ‘a sequined dress, you look at it wrong, they start to fall off’. The cleaner suddenly retracts her statement and asserts that she saw sequins strewn everywhere.

Susan, who already considers Charles guilty, is accused of persuading the cleaner to change her testimony.

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