Sara Wheeler

The writing on the wall | 20 August 2015

In Circling the Square, the foreign correspondent Wendell Steavenson traces — through lightening character-sketches of Cairo life — how the Egyptian revolution ‘see-sawed between joy and death’

issue 22 August 2015

‘Every day’, writes the foreign correspondent Wendell Steavenson in this account of the 2011 Egyptian revolution, ‘see-sawed between joy and death.’ She covered the 18-day cataclysm and stayed on in Cairo for another 18 months to report its aftermath, filing for the New Yorker among other outlets. The title refers of course to Tahrir Square, the heart of the conflict, a place ‘shaped like a giant teardrop with a traffic circle in the centre’.

Steavenson’s previous books include The Weight of a Mustard Seed, a portrait of a Ba’athist general in Saddam’s Iraq; she also reported on the fall of the Soviet Union. In Circling the Square she artfully arranges her material over a series of short chapters, each a ‘story’, as the subtitle suggests. This creates, successfully, a spontaneous and impressionistic tone; the book reads almost like a diary.

She writes with descriptive flair. One civic building is ‘a grey toady hulk’, while an interlocutor has ‘one if those eternally beautiful Egyptian faces, cast several millennia ago from reddish Nile mud’.

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