Is the opening sentence of a book, especially a novel, the most consequential, or is it just dressing for the feast to come? I’d say the former judging from A Tale of Two Cities, Moby-Dick, Pride and Prejudice, and my favourite, The Death of Manolete, by Barnaby Conrad. ‘In August, 1947, in Linares, Spain, a multimillionaire and a bull killed each other and plunged a nation into mourning.’ But here’s one that’s bound to be the greatest of them all, Tan Lines, to be published by St Martin’s Press on 8 July: ‘There are 8,000 nerve endings in the clitoris, and this son of a bitch couldn’t find any of them.’
Nabokov, eat your heart out. The intellectual behemoth who wrote these immortal opening words is one J.J. Salem, perhaps unknown among the literati, but a giant to countless lonely onanists whose bedside tables are festooned with his works. My God, the culture is improving by the minute.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in