The World According to Karl, edited by Jean-Christophe Napias – review

Every fashion era has its monster and in ours it’s Karl Lagerfeld, a man who has so emptied himself on to the outside that there is no longer any membrane between what he is, what he does and what he looks like: a macabre dandy for the electronic age, a Zen businessman as effective as Andy Warhol or Michael Jackson or David Bowie in propagating product and persona as one. ‘I enjoy the luxury of being at the centre of this complete universe that’s mine,’ he says with the concentrated generosity of a narcissist who wants to thrill the whole world in order to make it his pool. The eternal dark glasses might suggest otherwise — that here is someone with a concealed inner life — but he affects to deny it (‘With me there’s nothing below the surface, but it’s quite a surface’), so presumably the dark glasses are just for the pool’s reflected glare.