In the words of Dad’s Army’s Private Frazer: ‘We’re all doomed.’ Life remains a dangerous business whose outcome is always fatal. Despite all kinds of medical progress, the death rate is stubbornly fixed at 100 per cent, while the ways in which we die remain unchanged.
At the same time, in a magnificent demonstration of cognitive dissonance, abetted by medical science, the human animal continues to cherish the fantasies of immortality that enable us, in Churchill’s stoic formula, to ‘keep buggering on’.
This thrilling tension between the forces of life and death has always inspired two basic attitudes to mortality. First, a realistic, even forensic, fascination with the sensations and protocols of that last exit. Second, a kind of blithe detachment from it.
With the End in Sight and From Here to Eternity express both of these moods. Depending on your point of view — morbid or never say die — each title has something useful to say to the baby-boom generations for whom, in the words of Kathryn Mannix, a seasoned death consultant, ‘death has become increasingly taboo’.
Mannix not only wants to ‘talk about dying’, she is also determined to make death a part of everyday life in the way it was for our ancestors.
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