The voices of the victims

Before she was the subject of true-crime mythologising, Catherine Eddowes made her living from it, selling ballads based on real-life murders to avid Victorian audiences. The historian Hallie Rubenhold suggests that Eddowes may have written them too; unusually for a working-class woman, she was literate. Still, the possible example of her work that Rubenhold reproduces in The Five shows no sign that female authorship led to incipient feminist consciousness. Typically for the 19th century (and still often seen in reporting today), Verses on the Awful Execution of Charles Christopher Robinson, for the Murder of his Sweetheart, Harriet Segar focuses attention on the femicidal man, investing sympathy in him rather than the woman he killed.

Eddowes’s own murderer is known only as Jack the Ripper, but from the time of his murders he was treated as a mix of titillating bogeyman and street-cleansing folk hero. The only thing anyone knows about Eddowes is that she was a prostitute, and even that’s not true.